Wednesday 14 January 2009

Fender Deluxe Player's Stratocaster Electric Guitar - Rosewood, 3-color Sunburst

Electric Guitar. Made by Fender.

The Deluxe Players Stratocaster is a revised version of the former Super Strat. Upgraded with American-made Vintage Noiseless pickups, this guitar not only sounds great but with a 12" neck radius and medium jumbo frets it's a workhorse of a guitar! And, don't forget about the push button switch that gives the player nine different pickup combinations!

Features:

  • BODY Ash
  • NECK Maple, Modern "C" Shape, (Satin Polyurethane Finish)
  • MACHINE HEADS Gold Plated Fender/Reliance Vintage Style Tuning Machines
  • FINGERBOARD Rosewood, 12" Radius (305mm)
  • NO. OF FRETS 21 Medium Jumbo Frets
  • PICKUPS 3 Vintage Noiseless Strat Pickups
  • CONTROLS Master Volume, Tone 1. (Neck Pickup), Tone 2. (Middle Pickup)
  • BRIDGE Gold Plated Vintage Style Synchronized Tremolo
  • PICKUP SWITCHING 5-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup, Position 3. Middle Pickup, Position 4. Middle and Neck Pickups (Plus Bridge Pickup When Push/Push Switch Is Activated), Position 5. Neck Pickup (Plus Bridge Pickup When Push/Push Switch Is Activated), 1-Push-Button On/Off Switch: Activates Bridge Pickup in Positions 4 and 5 of Blade Switch
  • HARDWARE Gold Plated
  • STRINGS Fender Super Bullet 3250L, Nickel Plated Steel, (.009 to .042)
  • CASE Deluxe Gig Bag
  • PICKGUARD 4-Ply Brown Shell
  • SCALE LENGTH 25.5" (648mm)
  • WIDTH AT NUT 1 11/16 (43mm)
  • UNIQUE FEATURES Gold Plated Hardware
  • ACCESSORIES Deluxe Gig Bag

NOTE: The picture on this page shows the Maple version of this guitar model, if you place an order from this page you will receive the model with a Rosewood fretboard


Most of us who play blues guitar are familiar with the 12 bar blues. Almost every blues guitar player has played songs like Sweet Home Chicago, Pride and Joy, Red House, and one of the thousands of other blues songs that use the 12 bar form. What many blues guitar players dont know, is that there are two other great blues forms to choose from, the 8 bar blues, and the 16 bar blues.

All of the forms use only three chords, and roman numerals are used to describe them. The first chord, called the I chord, is usually a dominant seventh type of chord that is built from the first note in the major scale. If you are in the key of G, then G7 will be your I chord. The fourth note of a G major scale is a C, so the next chord used is called the IV chord and would be C7 in the key of G. The fifth note in the G major scale is D, so the V chord would be D7. So now you have your three primary chords, G7, C7, and D7.

The 12 bar blues is 12 measures long. The term bar is just another word for measure. The first bar is always the I chord. The second bar is either the I chord again, or for a quick change blues, it is the IV chord. Bars 3 and 4 are always the I chord again. Bars 5 and 6 will be the IV chord, and bars 7 and 8 will be the I chord. Bar 9 is the V chord, but bar 10 will either be IV or V. Bar 11 is the I chord, and Bar 12 is the V chord which sets up the listener for the start of the next chorus.

The 8 bar blues, as in the song Key To The Highway, also starts with a I chord. After that, Bar 2 is the V chord. Bars 3 and 4 belong to the IV chord. Bar 5 is back to the I chord. Bar 6 is the V. Bars 7 and 8 repeat that sentiment with the I chord on Bar 7 and the V chord on bar 8. Once again, the final bar has the V chord to setup for the next chorus.

A 16 bar blues, such as the Herbie Hancock tune, Watermelon Man, starts like a 12 bar blues. The first four bars are the I chord. Bars 5 and 6 the IV chord, and bars 7 and 8 return to the I chord. Even bars 9 and 10 share the V and IV chord usage like the 12 bar blues. The difference is in that bars 9 and 10 are repeated 2 more times for Bars 11 14. Finally, bar 15 returns to the I chord which also holds on for bar 16.

As a blues guitar player, remember that its not that important how you play the chords in a blues tune. You can play the same tune with several different comping styles and get several great results for the same tune. Similarly, when you find a good comping pattern that you like, dont be afraid to stick with it for a lot of the tunes that you play. If it works well in one tune, chances are it will work well in others.

Griff Hamlin is a professional musician, guitar teacher, and author. He runs several websites, including Playing Through The Blues, a method for learning blues guitar

john mayer fender stratocaster

Left Handed Stratocaster Electric Guitar Metal Belt Buckle




One guitarist, who has been playing for about thirty years
and has used a myriad number of guitars, loves his Fender
62 reissue Telecaster, which he bought in the UK. Designed
in 1983, this Fender 62 reissue Telecaster is a very
different color of cherry grain and lighter than a Les
Paul, which he likes.

As a guitarist who dabbles in country, rock and roll and
even blues, he appreciates that the Fender 62 reissue
Telecaster is a great instrument for all three. When
playing country music he uses the pickup of the bridge; for
blues the neck pickup. A Roland processor and two twins
operating in stereo is how he started out using his Fender
62 Telecaster, but lately he employs an Ibanez compressor
with a Fender Hot Rod, 40 watt, and straight out of the
amplifier.

The only negative thing this experienced guitarist has to
say about his classic Fender 62 is that the factory vintage
tuners make it difficult to change strings very quickly.

The 62 reissue Telecaster earned a ten (out of 10) for
reliability and durability from this reviewer. He has never
had to call on customer service for any repair or support.

This accomplished musician calls his Fender 62 Telecaster
the best musical investment he has ever made.

Another guitarist, who has owned his 62 reissue Telecaster
for twenty years, said the same thing about reliability. He
has just never had a problem with it and is interested in
finding out just how long it's going to last. While he says
it's the Jeep and not the Ferrari of guitars he truly loves
the sound and action of this instrument. One negative note
from this reviewer - the strings break often.

Read more fender guitar reviews plus Martin, Gibson, and tips and info.

Want more reissued classics try the 1954 reissue Fender guitar

fender highway one stratocaster revie